Here comes a first taster from Yellowtail‘s debut album Grand & Putnam. Born in Japan and living in NYC, Yellowtail collaborates with fellow Japanese producers from all around the world. The singer Monday Michiru needs no introduction, with over a dozen albums recorded and collaborators including DJ Krush, Masters at Work or IG Culture. On the flipside London-based producers Kay Suzuki and Daisuke Tanabe deliver strong remixes, making it hard to pick a favourite! A third remix comes from Boston’s U-Key.A1. Everything is Alright (Original Version)
A2. Everything is Alright (U-Key Remix)
B1. Everything is Alright (Kay Suzuki’s Bipolar Remix)
B2. Everything is Alright (Daisuke Tanabe AM Remix)
The record should be available later this month from Bagpak Music, with other shops to follow.
For the last couple of years, Orin Walters of Bugz in the Attic
has been traveling to the Caribbean island of Puerto Rico. There he discovered the depths of latin
music, its many flavours and in particular the rumba. Many travels later, a friendship with the local scene emerged and led to first collaborations – the most famous being Golpe Tuyo Calinda
, a standout broken beat track released under Orin’s Afronaut
moniker. First releases through the newly formed ABCD Records
raised hope for more tracks of this kind, and many years later a long-announced compilation is finally available through Bipolar
Japan.01. Mark De Clive Lowe – Relax Unwind… (feat. Abdul Shyllon – Afrojas Ricanstruction)
02. Candela Allstars – Mambo Roto
03. Broki – Es Que Lo Es (Kay Suzuki mix)
04. Oreja – Julietta (Nautz 20:20 edit)
05. Tito Sensai – Galeta Liquida
06. Broki – Mi Ritmo (feat. Tempo)
07. Totin – Rumba Cultura
08. Afronaut – Golpe Tuyo Calinda (feat. Son Del Batey)
09. Cachete Y Seiji – Batacumbele
10. Local 12 – Kulo
11. Tito Sensai – Shelembe (feat. Cachete)
12. Afronaut – Nuevo Rumbera
13. Neon Phusion – Calle San Sebastian (feat. Tempo)
14. Candela Allstars – Brobombique (Bugz In The Attic edit)
As the titles suggest, the compilation features both original and West London reworks. Long sought after tracks like the Relax Unwind remix or Golpe itself are finally available for those who don’t call a turntable their own. Many of the tracks can be heard on Gilles Peterson’s Worldwide Podcast or through the sampler in the Coopr8 player. The CD can be purchased directly from Japan or from Juno Records.
The tracks sound familiar? That’s right, as they’ve been available in different outfits from the Coopr8 MP3 store
. First you could get them on the five Cooperation III Samplers, the first two were even out on vinyl. Later this compilation showed up on the same store, under a different name but with most of the tracks, though not all of them. Now Kay Suzuki
releases it’s first record, and it’s this compilation again.
So much for the introduction, let’s talk about music! The standout track for me turns out to be Simbad‘s Digital Revolution, the only track not featured on any of the previous releases – however, I’d love to hear an instrumental version. Next up are two tracks that were available on the first sampler, I C U from Karizma and Been Here Before from Lewis D. The first took a while to grow on me, but it’s a deep, tension-building dancefloor killer built around a sample of Nina Simone’s See Line Woman. Both tracks have a similiar feeling, broken beat on a house-tip – or vice-versa.
Unfortunately it goes straight downhill from there, though all the big names havn’t been mentioned yet. Afronaut makes a return with Change featuring Blu of Basement Jaxx-fame on the vocals, Domu contributes Nu Vision, from Marc Mac comes Take Ova Me.
The compilations suffers the problem, that it sounds like collection of left-overs or unfinished tracks. A theory that gets support from the Bugz in the Attic’s contribution called Reject. Especially the vocals on the majority of tracks are weak, the wish for instrumental tracks comes up more than just once. The list of artists featured sounds like an allstar roster, with many almost-forgotten names like Ayro or Colonel Red? For me this compilation is a big disappointment, most artists didn’t meet my expectations, I hope this compilation does not replace a proper Cooperation III album. I’m missing tracks of the quality of Domu’s Dangerous Times, Marc Mac’s Throwdown or anything Izmabad (a collaboration of the featured Karizma and Simbad). If you still feel like listening to more snippets, let me recommend you the sampler from the Coopr8 player. Also, Juno Records has this item in stock.