Hyperdub man Scratcha DVA goes all broken on his latest mixtape uploaded to his SoundCloud page. Despite being called Shazam City Mix, the software was not able to identify all the tracks. Even worse, it includes a couple of tracks I know sitting somewhere in my shelf, but I wasn’t able to identify them all (the Bembé track mixing into Jill Scott bugs me the most!)01. Reel People feat. Darien – Upside (Bugz Dubside Mix)
03. Shokazulu – Hips Don’t Fail Me Now
04. Tatham, Mensah, Lord & Ranks – Stars Shine For You
06. Dego & Kaidi – Acting up on that Shit Don’t Count
07. Vikter Duplaix – Manhood
08. Jill Scott – Golden (Remix)
10. Jazzanova – Soon (Domu Vocal Mix)
11. Shokazulu – Sammy Sebastian
12. DVA feat. Zaki Ibrahim & Metrodome – Solid
13. IG Culture – DJ Power (Use It)
14. The Free Design – Lullaby (J-Nova Remix)
If you’re able to help, feel free to post a comment!
It took me a while, but I finally caught up listening to some more recent DJ mixes. Here are a couple worth checking out, including some brand new ones!
There is now way around this first one, as Kieran Hebden aka Four Tet has once again graced the decks at the Rinse.fm studio. If you just look for one mix to listen to, make it this one!
Next up there is Luke Vibert‘s mix for FACT Magazine from a couple of weeks back. Brilliant selection ranging from eighties boogie and electro to proto-acid.
Alex Phountzi and IG Culture have teamed up last year to form NameBrandSound, experimenting with juke and bass music, with an album in the pipeline for Ninja Tune sublabel Technicolor. Here’s their mix for Solid Steel Radio.
Oh, and don’t miss the later part of the same show, featuring a mix by Mo Kolours, whose debut album is available now!
I remember hearing about a Dublab livestream from UpMyAlley founder Joscha Creutzfeldt, but unfortunately it was only the day after. But the man was good enough to share his selection of soulful music on SoundCloud the other day.
And we’ll end this selection with two of my favourite producers from the early noughties: Domu, now officially back from retirement, recorded a new mixtape for our listening pleasure, while Titonton Duvanté rediscovered one recorded in 1995.
I’ve heard rumours for some time, but as of today it’s official: Dominic Stanton (Domu, Sonar Circle et al) is back at making music for the first time since his “retirement” in 2009. The Two Hungry Ghosts have released an exclusive stream of an Amen-driven drum & bass tune sampling the Orson Welles-narrated Future Shock. The liner notes on SoundCloud mention the words “advance stream” and “more info to follow”, so I’m very excited on their meaning.
2003’s Impending Doom saw a rather unlikely collaboration with broken beat veteran Dominic Stanton, and I say “unlikely” for I believe not many fans of Daedelus were familiar with the names of Domu or Umod. I guess requesting two remixes from an artist already shows a lot of appreciation, but today -nine years later- Daedelus pays back with a remix of one Something Old.
There’s a lot of regret in the liner notes for the track, I guess it really meant a lot to the Los Angeles-based Alfred Darlington to return the favour. And who knows, maybe this (once again) raises the awareness for a very underrated artist of the last decade.
Well, I like the outcome and I think it works really well. If you think so too, you can download the tune here or there.
As everybody knows by now, D’Angelo is back and has played a couple of concerts in Europe. First this video from Stockholm showed up, then another one recorded in Amsterdam. If you missed all of this, Sam Champ and Okayplayer put together this mix.
I’m not much a compilation guy in general, but of course there’s an exception for everything. This month there’ll be two I’m very much looking forward to: The Minimal Wave Tapes Vol. 2 and Trevor Jackson’s Metal Dance. There’s a nice video interview of Trevor talking about design, his first musical attempts and memories of clubbing in 1980s London.
It’s been more than two years now since Dominic Stanton decided to leave his music career behind. Having released music under the names of Domu, Sonar Circle, Umod, Bakura and many others, the Bedford-based DJ and producer was unmatched in terms of quality and quantity in the short-lived brokenbeat scene.
About a year ago, 60 unreleased tracks surfaced on the internet and as if that wasn’t enough there are plenty more as of today. Only recently, the folks at Two Hungry Ghosts uploaded these tracks for your listening pleasure.
Hope you enjoy these as much as I do. If that’s the case, head over to the original post and leave some feedback!
Alright, you clicked on the link, now you must be all excited. And there’s a good reason for it, as here are a couple of unreleased Domu tracks for you to download. Just don’t get overexcited, there are no plans for comeback, these are just some leftovers Domu wanted to share.
For those that don’t know, Umod has been Dominic Stanton’s moniker for his more hip-hop paced productions. He had an album out on Sonar Kollektiv in 2004, a personal favourite of mine since day one. The tracks below are alternate versions and some demos that never made it on a proper release – and chances are it will stay this way.
Alright, so it’s Tuesday already, but I don’t think you’d want to wait another week for a proper Mixtape Monday.
I’ve been waiting a long time for a new Isolée album. Now that it’s finally out, he’s been doing some mixes to spread the word. Like the all new Resident Advisor podcast or the guestmix for Beats in Space from some weeks back.
Speaking of Beats in Space, I also have to recommend their latest show which features this guestmix by DMX Krew.
I wonder sometimes why some blogs refuse to set trackbacks. They’re not only the foundation on which all social networking is based on, they’re also a great way to discover great related content. Like these mixtapes by Domu that just surfaced. Whether previously unreleased or not, you already know he’s one of the best DJs in recent years.
Greymatter’s collaboration with Domu was posted last week, now there is an extended preview to the forthcoming album “Mind Over Matter”.
And here’s a look at the tracklist:01. ….
02. Back In The City (feat. Kev Luckhurst)
03. Raw Root
04. Watch This (feat. Domu)
05. Eu Fumo (feat. Deize Tigrona)
07. When I Was Lost
08. Too Much
11. Mind Over Matter
12. Everybody Needs A Nemesis
13. We Are One (feat. Domu)
14. Believe In Something (feat. Heidi Vogel) (TRG Remix)
You might also want to check out the full track Eu Fumo. The album will be out in February on Unique Uncut.
A true banger comes from the man called Greymatter. His debut album Mind Over Matter will be out in mid-February on Unique Uncut, a first teaser is this cooperation with Domu.
On the flipside comes another track with Domu, both of them will be available starting tomorrow. The digital release has been spotted on Soul Seduction and Juno. Will there be a physical release? I can’t answer this yet, but sure hope so!
On a Sunday in November, shortly after lunch hour in Europe, the internet seemed to hold its breath for a second. Then, like swarm of insects, the noise started filling the wires again. It was November 14th, 2009, when Dominic Stanton, better known as Domu, announced his good-bye from music making. I suffered long and hard before I could express some words about it. Today, I’m sharing my little Domu story with you.
By the end of the nineties, I’ve become a true drum & bass head and labels like Reinforced or Moving Shadow were among the ones to look out for. Still, I couldn’t tell when I first came across Sonar Circle, the moniker Domu was using at the time. However, I do remember when I first heard Message to Omar when it came out on Archive in 2000. It was only the second 12-inch under the name of Domu and I got myself a copy as it came out on one of the hottest labels at the time. Archive also released Body Electric, a song that is the perfect blueprint of the many other tracks and remixes to come.
If it’s not those scattered snares, then it was definitely that warm synthesizer that won my heart and made me become a vivid collector of most Domu releases to come. And that wasn’t always an easy task, if you look at that long list of remixes alone. By adding the names Umod and Zoltar to his portfolio, or collaborations like Rima, Kudu, Bakura and Yotoko (just to name a few!), digging for anything Dominic Stanton had become a sport of its own. But when it comes to sports, there is no limit to my ambition.
Though I don’t want to be put in the situation to choose my favourites, the years 2001/02 were certainly my favourite period of Domu’s career. For King Britt’s Scuba project he layed down the devastating Give It All remix, for Big Bang he created the percussion-galore called Pressure. 2000black put out the massive Save It, a track written by label-founder Dego and featuring his longtime-collaborator Face on vocals. The track features some of the most bizarre, yet funniest lyrics I have ever heard. It became an instant favourite. In the same period, Domu created the masterpieces One Last Look and his remix of Rednose Distrikt’s NY Boom.
In 2004, Domu surprised his fans with a change in style. For the Japanese market only, the Discotech mini-album was released, while the rest of the world only got an EP with four of the tracks. Discotech was Domu walking in the footsteps of Moodymann and Theo Parrish, his homage to the city of Detroit and its music. Around the same time, Jazzanova’s Sonar Kollektiv label unleashed the Umod project. Another name, another sound – well, almost. Think of all your favourite Domu ingredients and use them to create a hip-hop album: Enter the Umod. For me this record not only meant a new kind of music, it also had one of the best cover artworks, and in Rest With You I found my favourite tune that year. In some odd way it can be regarded as a precursor to the quirky instrumental hip-hop that is not so uncommon anymore these days.
Between 2003 and 2006, it not only became more difficult to track down all the remixes under various Dominic Stanton aliases, but it was also the time when my wallet was constantly starving. Domu released more remixes than ever, including some for comparably “big” labels like Ninja Tune, Sonar Kollektiv, Grand Central or Especial.
So, while most of my favourite Domu records were put out in that period of 2001/02, there are two of his later releases which I count to my absolute favourites. First comes his post-Rogue 12-inch Dangerous Times and second his remix of Ben Westbeech’s So Good Today. Incidentally, these were also the last two Domu records I have added to my collection until the Springbreak EP came out last year.
The first DJ set I heard from Domu was the Co-op Easter Spesh 2005, which was aired on Benji B’s Deviation show. Only a few months later, on one of my annual trips to London, I came to witness my hero for the first time at a party at Cargo. Wow! Simply one of the best DJs I have ever heard and fortunately not for the last time. I’m sure many will agree without ever having been to a party with him on the line-up. There was a time when Domu recorded a new mixtape every month. On these, he not only proved his skill to smash dancefloors around the world, but also established a reputation as one of the most versatile and knowledgable DJs on the planet.
Now, having told my story, at least a small portion of it, what do I think about him quitting? It’s quite really, I respect his decision, in fact I think I can say that I understand it as well. If you have been following his (highly enjoyable) blog for a while, you might agree that his decision was somehow foreseeable. To me Domu seemed fed up with making music for a long time, even though it might have appeared like a temporary low at first. I think you can even hear it in his last music from the last year. While it still had an undeniable Domu touch, it also seemed worn out, something that doesn’t surprise you anymore. At least I stopped buying any of his music all of a sudden.
There is this video from 2007, in which Arision label founder Simone Serritella (aka Big Bang) is having a conversation with Domu. When I first watched it, I didn’t take further notice. In retrospective, however, it can be interpreted differently: Could it be that Domu had been thinking about an end for quite some time already?
So, I don’t want to deny there is some sadness to the story. But I’d rather see a self-respectful Domu who knows when to pull the plug, than get tired of one of my idols and eventually turn my back on him. In the video above, he mentions writing would be something he’d love to do and I think that’s great idea! His blog posts were something to look forward, well written and highly entertaining. But whatever he chooses to do, don’t worry about his music – it’s a rich legacy and it’s here to stay!
If you want to catch up on Domu’s music, Thru Thought’s One Offs, Remixes and B-Sides is a good way to start, the first CD contains mostly music from Domu’s early 12-inches, while the second half focuses on his later remixes. Another compilation is available on Papa Records and was compiled and mixed by Domu himself, it’s called Sounds for the Soul Volume 4. From Japanese label Especial comes Domu’s Disco Jazz Volume 1, a mixed CD that’s part of the label’s DJ Classics series.
Unfortunately, there are no more official Domu sites to link to. The TrebleO website, MySpace, SoundCloud and Facebook – all have been deleted. Thanks to various web-caches, I managed to get a copy of his final blog post, in case you want to read a second time or check out the many comments. Feel free to link to it! You are also more than welcome to share your Domu story in a comment below.
April 4, 2010 Here’s a bunch of mixtapes posted by Domu over the years
February 9, 2011 Don’t ask me how Mr Beatnick got hold of these unreleased Domu/Umod tracks, but they were meant to be shared with the world!