It’s been wonderful to watch K15‘s career take off ever since our paths first crossed 10 years ago. The support from the likes of Kyle Hall or Alexander Nut’s Eglo Records sure helped him gaining a wider audience, but if you ask me, it was also inevitable for a talent like K15. And as if he hasn’t proven his versatility enough with his past projects, hip-hop to house as K15, broken beat as Wu15 (with Henry Wu), he has just finished a jazz album with his band Culross Close (he talked about it some years ago!)
You can listen to reflection on J Dilla in the player above, a first glimpse at the album that’s to follow later in February. Titled “Home”, it will be out on Japanese label Sound of Speed. Jazz lovers, don’t sleep!
Life of a music blogger is nothing what you would imagine it. Unlike someone, let’s say, who writes about fashion, we don’t receive fancy dresses every other week. We get ugly emails advertising music we would never write about. Well, most of the time. To be honest, the moment when I started receiving promo emails was the moment when the fun in writing about music started fading away. Oh, the joy of discovery. It’s been a long time since music was only available on physical formats, and while it’s not all bad, I often feel that music lost some value in the process.
Anyway, it was only a couple of days ago that I received a package from the postman, my second in more than six years of blogging! Turns out it’s the new K15 2xEP that came out in late October on Kyle Hall’s Wild Oat imprint. I first met K15, or Kieron, in summer 2006 through a common friend, followed his music all over the years, eventually talked him into doing a podcast, and was mad proud when he was remixed by our musical hero Kaidi Tatham earlier this year. Next stop: Detroit!
I’m still listening to the second disc, but the first convinced me enough to write about it. Listening to the track above, techno producer Fabrice Lig was reminded of Titonton Duvanté, athe common friend of K15 and mine compared it to Mr Fingers. Well, both it’s true: the first record ventures into the past, references classic house music from the eighties, with one track sampling the early nineties anthem Gypsy Woman (She’s Homeless); the second record is a deeper, more sincere look at what house music has to offer. There are a couple of more samples on the Wild Oats online shop, if you need more convincing. It’s also the only place I found that still has copies available.
There are some classic MoMA PS1 mixes that I still listen to every no and then, like those by Prefuse 73 or FaltyDL. The latest edition comes from London’s Om Unit and it has all it takes to become another classic.
As warm-up for this year’s Dimensions Festival, Aus Music’s Midland has done a mix for the XLR8R Podcast.
Following his brilliant mixtape for our own podcast, London’s K15 has come up with a new one. On X/O he once again proves his knowledge across genres – recommended download!
Restless Soul’s Phil Asher plays house and techno classics made in the city of Detroit.
I said it before and you probably know by now: Boiler Roomis always worth a visit, but I’d like to highlight Shlohmo‘s DJ mix from the LA edition some weeks back.
And lastly, an insane 12-hour mixtape I came across via Gilles Peterson‘s blog: Black Classical takes us on a journey through 57 years of Spiritual Jazz. No typo – 12 hours!
It’s been a while since we last had a podcast and we’re very happy to announce this new one by London’s K15, a good friend and very talented producer. We’ll start with an interview and you can listen to a selection of his tunes, and you can listen to the wonderful mix he came up with at the bottom of this page.
What is your first memory of music and what got you into making music yourself?
Music was kinda always in my house, from my mum and my dad. But then I guess it would’ve been in my teenage years, when I was listening a lot of jungle and a lot of drum’n’bass. And I was just in awe of everything produced at the time, drum programming and samples. It was only when I got older when I realized what sampling actually was and where they were taking their sounds from. But that whole thing really got to me. So I used to go to school and I did music as a GCSE. There was a teacher, he had a copy of Cubase, and I tried to make drum’n’bass tracks and they were simply awful by any standard. But that’s when I realized this is fun, but I need to find a way to do it at some stage. And I didn’t do any music in terms of production stuff for years. Then software kinda got better and someone introduced me to Reason. I was listening to a lot of rap music and obviously to people like Jay Dee, Madlib, Hi-Tek, Pete Rock, 88-Keys, all of those guys. I thought I need to try and do this, so it was just years of figuring out ways to create music and not just listening to albums, but studying them, watching interviews, reading interviews. It was around that time, that I realized that actually that is something that’s gonna stick with me for a period of time.
How old were you at the time?
The jungle stuff would’ve been about 13/14 and I was DJing at the time aswell, or learning to DJ and buying records. The production stuff would’ve been 2001, so eleven years ago which is a long period of time to do anything. Some years later, here I am, still the same in my room doing music, buying records.
Give us an insight to the gear you use, do you prefer hardware or software?
I use this guys here, this is an MPC2000XL, so I used that but a lot of it has been software, only because software is kind of easier to get ideas down. Because I attempt to play keyboards and stuff, I have more of a range of sounds in software than I do in my MPC. So just out of convenience, software tends to be my go-to platform. But I’m still very much of a keen MPC advocate and I do still use it from time to time. Sonically, to me my MPC always sounds ten times more intense in terms of the drums than any software I’ve ever used. It just has that raw audio quality, whereas a lot of the sounds in the software I use is heavily compressed before you even do anything. The MPC has an edge to me in terms in sound.
I know you have an incredibly wide range of interest when it comes to music, how does this affect your own production?
I wanted to sound like what I heard as great music, so I wanted to really get my boombap sample stuff tight and for ages I did nothing but focus on that. And then I discovered guys like 4hero and Domu and instantly I thought, hang on a second, there are other rhythms that I could try to do. The rap/soul has always been what I’ve been striving to do, but then over the years I’ve made a lot of house music, a lot of ambient music, and a lot of weird techno type of music. I think it’s because I’m interested in a lot of types of music, is why I don’t just make one thing. I’m literally just finishing an EP and a lot of that is house-ish or dance-ish type music. I’m into all kind of music, so at some stage I’m gonna attempt to butcher a genre and do something with it man [laughs]
You first told me about your EP way back, but it only came out recently. What took you so long?
[laughs] You know what, that EP was meant to come out some years ago and it didn’t, which is fine. I think I’m slightly choosy about what I tend to put out in any way. It just kinda came when it was ready. So that came through WotNot, which is a label in London that put out very amazing modern electronic type of music. One of the guys who is behind it all, I met him over Twitter, met him for a coffee and he’s just the most delightful person. He was always interested in my music, I sent him some bits and he thought cool, let’s do this. I think the way labels work now, or this particular label, is just interest in people, who have a passion for music, different types of music, who come together and want to be part of something. They’re really cool guys, encouraging me to do more stuff. That was fun, it [Theme Music For A Pariah] came out in March of this year.
You must have made a lot of new music since you first finished that EP…
Yeah, I pretty much do music every day. So I get up, go to work, I come home and when come home I go to work again, it’s just music. Music gets made more or less every day. There are two projects that I just finished, two EPs that I’ve done, I’m just trying to get the artwork sorted for that. There’s another project called Culross Close, which is like a band, but it’s like a weird imaginary band, so all the different parts are played by musicians, but all the musicians are just figments of my imaginations. Or maybe they’re all me, I don’t know. There’s a lot of different types of music waiting to come out.
Any good shows you’ve seen recently?
The last week was kind of crazy, I saw the Robert Glasper Experience on Monday. Dude, that was insaaaaaaaane, insane! They played for like three hours, Bilal was there, Lalah Hathaway was there as a guest vocalist. I’ve seen Robert Glasper too many times, I don’t even count, but that show, the size and the feel of it was just magnificent. To see the diversity in his audience that he has now, on the back of this one album, ridiculous. Then on Wednesday I saw Thundercat at Fabric, he’s always a good guy to see, because he just noodles on the bass for ages. Then I saw Kaidi Tatham again on Thursday. I’m going to the Watch The Throne show tomorrow. Lots and lots of shows have been happening and I’m checking out some parties as well. There’s a record label, Eglo, and they have parties every so often and I go and see those guys DJ. There’s Swamp 81 that put good parties on as well and I need to spend some more time there. And the WotNot guys had massive party in conjuction with Lunice and that was a really big thing. This Thursday the WotNot guys are doing a Ustream and there’ll be a group of us DJing, telling jokes and doing some readings from Oscar Wilde.
Any good records you’ve been buying recently?
I bought a pianist called Vijay Iyer, he got a new album out called Accelerando, one of the tracks off the album is on the mix. I’ve been buying a lot of deep house stuff, a lot of Glenn Underground, some old house records, some Kenny Dope and Louie Vega stuff. And a lot of classical stuff as well. Stravinsky, Debussy, Sibelius, just lots of random stuff which is always kinda crazy to listen to, cause you play that and then you sit back at your computer to try and make something and you’re just humbled for like a week. You realize, just stop this, this is what music is supposed to sound like, this is serious.
And lastly, what kind of records did you pick for the mix?
There’s a little bit of everything. I buy a lot of records and initially I used to buy just to sample and then I realized I actually like a lot of the stuff I was buying, so now I just buy music because I enjoy playing records and pretending to DJ every now and again. So on the mix there’s some Larry Heard, some Jessica Williams, Jean Grae, Marcellus Pittman, lots and lots of different records that I bought in the last few months. There was probably an expectation that I was just gonna play hip hop music or electronic instrumental music. I’m into everything, so I tried to keep it as varied as possible and throw the odd Steve Reich loop in there just for the fun. Lots of good music, songs I generally play in my spare time and enjoy listening to.
Listen | Download | Subscribe (iTunes)01. Vijay Iver Trio – The star of a story
02. Happy The Man – Upon The Rainbow
03. Larry Heard – Missing you
04. Omar S & Kai Alice – Jive Time (unreleased beats)
05. Zed Bias – Music Deep Inside
06. Bicep – Stripper
07. N’n’G – I Keep
08. Marcellus Pittman – Razz09
09. Glenn Underground – Chicago Theme
10. Steve Reich – Come out
11. Claus Ogermann Orchestra – Caprice
12. Isotope – Attila
13. Jean Grae – Love Song
14. Camp Lo – Luchini (aka This Is It)
15. The Roots – Concerto of the Desperado (instrumental)
16. Steve Spacek – Peep Live Show
17. Jessica Williams – Return To The Portal of Antrim
You can find of more K15’s music on his SoundCloud profile, on Bandcamp, and he talks about music on Twitter as well.
London’s K15 pays tribute to one of the greatest living musicians (note the emphasis on musician), one of the key figures of the broken beat scene, the magnificent Kaidi Tatham.
01. Kaidi Tatham – Swift Inspiration (Quick Kid)
02. The Blaktonez – Flying High (You And I)
03. Blakai – Don’t Stop
04. Likwid Biskit – Inner War
05. Agent K – Ladies
06. DKD – Future Rage
07. Izzi Dunn – Outta My Hands (Agent K remix)
08. Dego & Kaidi Tatham – Ain’t Nothin You Can’t Feel
09. Supa7 – Innazone
10. Shokazulu – Dis Yah One I Love
11. Gene Harris – Los Alamitos Latinfunklovesong (Bugz In The Attic Rework)
12. Kaidi Tatham – Organic Juggernaut
13. Kaidi Tatham & Dego – Got Me Puzzled
14. Allen Hoist – With Love (Kaidi Tatham Mix)
15. Modaji – Shocka’s Joint
16. Agent K – Feed The Cat
17. Cousin Cockroach & Shox – King Tut, Fool
18. Cousin Cockroach – This Ain’t No Tom & Jerry
19. Silhouette Brown – Check If (Calling You)
For those that still don’t know his name, check out the impressive list of credits on Discogs and get yourself educated by this wonderful mix. To be honest, I wasn’t familiar with a couple of these (or had forgotten about them) and had to ask K15 to complete the trackslist. Big up for including the Modaji joint!
Available for free download for a limited time, be quick!
The right mix at the right time, at least that’s what I thought when I got this new one from London based DJ and producer K15. A great selection of music, ranging from jazz, funk and soul to hip-hop and broken beats – stuff we haven’t heard in a while.
K15 – When in Solitude… (download)
01. Marion Brown – Afternoon of a Georgia Faun
02. Chick Corea – The Woods
03. K15 – Insomniac Invasion
04. Madeline Bell – Without You (I’ll Know What I’ll Do)
05. Bo Hansson – Big City
06. Krystyna Pronko – Deszcz W Cisnej
07. Lewis Parker & John Robinson – The Trap
08. Oh No – Higher
09. Quasimoto – Lonely Piano
10. Sir Coxsone – Piccadilly Circus Dub
11. Michael Prophet – Conscious Man
12. Domu – Worldwide
13. Todd Edwards – Fly Away
14. Focus – Having Your Fun (4hero Remix)
15. John Coltrane – Kulu Se Mama
16. Emanative – Space In Veda (K15’s Karmaceutical Mix)
17. K15 – Stood Up (reprise)
As you can see, K15 also sneaked in some of his own productions. For more of his music, check out his Bandcamp page or MySpace profile!
Here’s the third installment of the Listen! series from London-based producer K15. He takes you on a journey from jazz to funk, hip-hop and back to jazz. A great selection of music, including some of his own remixes.
Listen! Vol. 3 by K15 (download)
01. Steve Hillage – Garden of Paradise
02. Miles Davis – In A Silent Way
03. Galt MacDermott – Where Do I Go
04. Charles Wright – Ninety Day Cycle People
05. San Antonio – J’aime Ou J’emm
06. Loopwhole – Galactic Capital
07. Unison – Brothers & Sisters (K15 Remix)
08. John Robinson – Stop & Think (Instrumental)
09. Roland Kirk – Theme For The Festival
10. Opa – Goldenwings
11. Jazzarokova Dilna – Apendix
12. Tangerine Dream – Tangram Set 2
13. Radiohead – Nude (K15 Instropect Mix)
14. Floating Points – Radiality
15. Augustus Pablo – Java
16. Tommy McCook – Harvest In The East
If you missed the first two in the series, you can still listen to them on the A Deeper Groove website.